31 ideas
| 22820 | Early Romantics sought a plurality of systems, in a quest for freedom [Hösle] |
| 23277 | Modern pragmatism sees objectivity as possible, despite its gradual evolution [Misak] |
| 19108 | Truth is proper assertion, but that has varying standards [Misak] |
| 19094 | For pragmatists the loftiest idea of truth is just a feature of what remains forever assertible [Misak] |
| 19105 | Truth isn't a grand elusive property, if it is just the aim of our assertions and inquiries [Misak] |
| 19100 | Truth makes disagreements matter, or worth settling [Misak] |
| 19099 | 'True' is used for emphasis, clarity, assertion, comparison, objectivity, meaning, negation, consequence... [Misak] |
| 19103 | 'That's true' doesn't just refer back to a sentence, but implies sustained evidence for it [Misak] |
| 19101 | Disquotation is bivalent [Misak] |
| 19096 | Disquotationalism resembles a telephone directory [Misak] |
| 19106 | Disquotations says truth is assertion, and assertion proclaims truth - but what is 'assertion'? [Misak] |
| 19098 | Deflating the correspondence theory doesn't entail deflating all the other theories [Misak] |
| 19104 | Deflationism isn't a theory of truth, but an account of its role in natural language [Misak] |
| 19109 | The anti-realism debate concerns whether indefeasibility is a plausible aim of inquiry [Misak] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 22819 | In the 18th century history came to be seen as progressive, rather than cyclical [Hösle] |