32 ideas
| 12268 | Contradiction is impossible [Antisthenes (I), by Aristotle] |
| 602 | Some fools think you cannot define anything, but only say what it is like [Antisthenes (I), by Aristotle] |
| 22076 | Being is only perceptible to itself as becoming [Schelling] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 22072 | Schelling always affirmed the absolute status of freedom [Schelling, by Courtine] |
| 21925 | For Schelling the Absolute spirit manifests as nature in which self-consciousness evolves [Schelling, by Lewis,PB] |
| 22045 | Metaphysics aims at the Absolute, which goes beyond subjective and objective viewpoints [Schelling, by Pinkard] |
| 22074 | We must show that the whole of nature, because it is effective, is grounded in freedom [Schelling] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 22073 | The basis of philosophy is the Self prior to experience, where it is the essence of freedom [Schelling] |
| 22075 | Only idealism has given us the genuine concept of freedom [Schelling] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 20956 | Ultimately, all being is willing. The nature of primal being is the same as the nature of willing [Schelling] |
| 1664 | I would rather go mad than experience pleasure [Antisthenes (I)] |
| 21385 | Antisthenes said virtue is teachable and permanent, is life's goal, and is like universal wealth [Antisthenes (I), by Long] |
| 20957 | We don't choose our characters, yet we still claim credit for the actions our characters perform [Schelling] |
| 22057 | Schelling sought a union between the productivities of nature and of the mind [Schelling, by Bowie] |
| 22031 | Schelling made organisms central to nature, because mere mechanism could never produce them [Schelling, by Pinkard] |
| 2631 | Antisthenes says there is only one god, which is nature [Antisthenes (I), by Cicero] |