45 ideas
| 22140 | The greatest philosophers are methodical; it is what makes them great [Grice] |
| 4986 | A weaker kind of reductionism than direct translation is the use of 'bridge laws' [Kirk,R] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 13856 | Conditionals are truth-functional, but we must take care with misleading ones [Grice, by Edgington] |
| 8948 | The odd truth table for material conditionals is explained by conversational conventions [Grice, by Fisher] |
| 13767 | Conditionals might remain truth-functional, despite inappropriate conversational remarks [Edgington on Grice] |
| 10990 | Conditionals are truth-functional, but unassertable in tricky cases? [Grice, by Read] |
| 14277 | A person can be justified in believing a proposition, though it is unreasonable to actually say it [Grice, by Edgington] |
| 5001 | Maybe we should see intentionality and consciousness as a single problem, not two [Kirk,R] |
| 4993 | If a bird captures a worm, we could say its behaviour is 'about' the worm [Kirk,R] |
| 5000 | Behaviourism says intentionality is an external relation; language of thought says it's internal [Kirk,R] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 4982 | Dualism implies some brain events with no physical cause, and others with no physical effect [Kirk,R] |
| 4991 | Behaviourism seems a good theory for intentional states, but bad for phenomenal ones [Kirk,R] |
| 4994 | Behaviourism offers a good alternative to simplistic unitary accounts of mental relationships [Kirk,R] |
| 4992 | In 'holistic' behaviourism we say a mental state is a complex of many dispositions [Kirk,R] |
| 4990 | The inverted spectrum idea is often regarded as an objection to behaviourism [Kirk,R] |
| 4984 | All meaningful psychological statements can be translated into physics [Kirk,R] |
| 4998 | Instead of representation by sentences, it can be by a distribution of connectionist strengths [Kirk,R] |
| 4985 | If mental states are multiply realisable, they could not be translated into physical terms [Kirk,R] |
| 4997 | It seems unlikely that most concepts are innate, if a theory must be understood to grasp them [Kirk,R] |
| 7751 | Meaning needs an intention to induce a belief, and a recognition that this is the speaker's intention [Grice] |
| 7752 | Only the utterer's primary intention is relevant to the meaning [Grice] |
| 7753 | We judge linguistic intentions rather as we judge non-linguistic intentions, so they are alike [Grice] |
| 4999 | For behaviourists language is just a special kind of behaviour [Kirk,R] |
| 22330 | Grice said patterns of use are often semantically irrelevant, because it is a pragmatic matter [Grice, by Glock] |
| 4995 | Behaviourists doubt whether reference is a single type of relation [Kirk,R] |
| 18045 | Grice's maxim of quality says do not assert what you believe to be false [Grice, by Magidor] |
| 18044 | Grice's maxim of manner requires one to be as brief as possible [Grice, by Magidor] |
| 10991 | Key conversational maxims are 'quality' (assert truth) and 'quantity' (leave nothing out) [Grice, by Read] |
| 18046 | Grice's maxim of quantity says be sufficiently informative [Grice, by Magidor] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |