Combining Philosophers

All the ideas for Richard Wollheim, Hannah Arendt and Richard Taylor

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26 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / d. Ethical theory
5078 Kant and Mill both try to explain right and wrong, without a divine lawgiver [Taylor,R]
5067 Morality based on 'forbid', 'permit' and 'require' implies someone who does these things [Taylor,R]
22. Metaethics / C. The Good / 2. Happiness / a. Nature of happiness
5079 Pleasure can have a location, and be momentary, and come and go - but happiness can't [Taylor,R]
22. Metaethics / C. The Good / 2. Happiness / b. Eudaimonia
5068 'Eudaimonia' means 'having a good demon', implying supreme good fortune [Taylor,R]
23. Ethics / C. Virtue Theory / 1. Virtue Theory / b. Basis of virtue
5076 To Greeks it seemed obvious that the virtue of anything is the perfection of its function [Taylor,R]
23. Ethics / D. Deontological Ethics / 1. Deontology
5077 The modern idea of obligation seems to have lost the idea of an obligation 'to' something [Taylor,R]
23. Ethics / D. Deontological Ethics / 2. Duty
5066 If we are made in God's image, pursuit of excellence is replaced by duty to obey God [Taylor,R]
5065 The ethics of duty requires a religious framework [Taylor,R]
24. Political Theory / C. Ruling a State / 2. Leaders / c. Despotism
20579 Modern totalitarianism results from lack of social ties or shared goals [Arendt, by Oksala]
20580 The ideal subject for dictators is not a fanatic, but someone who can't distinguish true from false [Arendt, by Oksala]