27 ideas
16014 | It is controversial whether only 'numerical identity' allows two things to be counted as one [Noonan] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
16024 | I could have died at five, but the summation of my adult stages could not [Noonan] |
16023 | Stage theorists accept four-dimensionalism, but call each stage a whole object [Noonan] |
16015 | Problems about identity can't even be formulated without the concept of identity [Noonan] |
16017 | Identity is usually defined as the equivalence relation satisfying Leibniz's Law [Noonan] |
16016 | Identity definitions (such as self-identity, or the smallest equivalence relation) are usually circular [Noonan] |
16020 | Identity can only be characterised in a second-order language [Noonan] |
16018 | Indiscernibility is basic to our understanding of identity and distinctness [Noonan] |
16019 | Leibniz's Law must be kept separate from the substitutivity principle [Noonan] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
6853 | Consequentialism wrongly assumes a clear line between an act and its consequences [Crisp,R] |
6854 | Does the environment have value in itself? [Crisp,R] |