Combining Philosophers

All the ideas for Richard Wollheim, Horsten,L/Pettigrew,R and Hans-Georg Gadamer

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27 ideas

5. Theory of Logic / A. Overview of Logic / 9. Philosophical Logic
Three stages of philosophical logic: syntactic (1905-55), possible worlds (1963-85), widening (1990-) [Horsten/Pettigrew]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
Logical formalization makes concepts precise, and also shows their interrelation [Horsten/Pettigrew]
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
Models are sets with functions and relations, and truth built up from the components [Horsten/Pettigrew]
7. Existence / A. Nature of Existence / 1. Nature of Existence
If 'exist' doesn't express a property, we can hardly ask for its essence [Horsten/Pettigrew]
7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
Only language is understandable Being [Gadamer]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
A Tarskian model can be seen as a possible state of affairs [Horsten/Pettigrew]
The 'spheres model' was added to possible worlds, to cope with counterfactuals [Horsten/Pettigrew]
10. Modality / E. Possible worlds / 1. Possible Worlds / b. Impossible worlds
Epistemic logic introduced impossible worlds [Horsten/Pettigrew]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Possible worlds models contain sets of possible worlds; this is a large metaphysical commitment [Horsten/Pettigrew]
Using possible worlds for knowledge and morality may be a step too far [Horsten/Pettigrew]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
22. Metaethics / B. Value / 1. Nature of Value / b. Fact and value
Facts don't oppose values; they are integrated into each person's aspirations [Gadamer, by Zimmermann,J]