Combining Philosophers

All the ideas for Richard Wollheim, Melissus and G. Aldo Antonelli

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30 ideas

2. Reason / E. Argument / 1. Argument
19115 You can 'rebut' an argument's conclusion, or 'undercut' its premises [Antonelli]
4. Formal Logic / E. Nonclassical Logics / 1. Nonclassical Logics
19119 We infer that other objects are like some exceptional object, if they share some of its properties [Antonelli]
4. Formal Logic / E. Nonclassical Logics / 12. Non-Monotonic Logic
19111 Reasoning may be defeated by new premises, or by finding out more about the given ones [Antonelli]
19114 Should we accept Floating Conclusions, derived from two arguments in conflict? [Antonelli]
19113 Weakest Link Principle: prefer the argument whose weakest link is the stronger [Antonelli]
19116 Non-monotonic core: Reflexivity, Cut, Cautious Monotonicity, Left Logical Equivalence, Right Weakening [Antonelli]
19117 We can rank a formula by the level of surprise if it were to hold [Antonelli]
19118 People don't actually use classical logic, but may actually use non-monotonic logic [Antonelli]
5. Theory of Logic / K. Features of Logics / 10. Monotonicity
19110 In classical logic the relation |= has Monotony built into its definition [Antonelli]
19112 Cautious Monotony ignores proved additions; Rational Monotony fails if the addition's negation is proved [Antonelli]
7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
12270 Being is one [Melissus, by Aristotle]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
3059 There is no real motion, only the appearance of it [Melissus, by Diog. Laertius]
27. Natural Reality / C. Space / 1. Void
5100 The void is not required for change, because a plenum can alter in quality [Aristotle on Melissus]
27. Natural Reality / E. Cosmology / 2. Eternal Universe
456 Nothing could come out of nothing [Melissus]