35 ideas
| 15375 | If terms change their designations in different states, they are functions from states to objects [Fitting] |
| 15376 | Intensional logic adds a second type of quantification, over intensional objects, or individual concepts [Fitting] |
| 15378 | Awareness logic adds the restriction of an awareness function to epistemic logic [Fitting] |
| 15379 | Justication logics make explicit the reasons for mathematical truth in proofs [Fitting] |
| 11026 | Classical logic is deliberately extensional, in order to model mathematics [Fitting] |
| 11028 | λ-abstraction disambiguates the scope of modal operators [Fitting] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 15377 | Definite descriptions pick out different objects in different possible worlds [Fitting] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 5901 | Is 'productive of happiness' the definition of 'right', or the cause of it? [Ross on Bentham] |
| 5934 | Of Bentham's 'dimensions' of pleasure, only intensity and duration matter [Ross on Bentham] |
| 5271 | Prejudice apart, push-pin has equal value with music and poetry [Bentham] |
| 3777 | Pleasure and pain control all human desires and duties [Bentham] |
| 3554 | Bentham thinks happiness is feeling good, but why use morality to achieve that? [Annas on Bentham] |
| 3781 | The value of pleasures and pains is their force [Bentham] |
| 20977 | Natural rights are nonsense, and unspecified natural rights is nonsense on stilts [Bentham] |
| 3778 | The community's interest is a sum of individual interests [Bentham] |
| 21003 | Only laws can produce real rights; rights from 'law of nature' are imaginary [Bentham] |
| 20280 | Large mature animals are more rational than babies. But all that really matters is - can they suffer? [Bentham] |
| 3779 | Unnatural, when it means anything, means infrequent [Bentham] |
| 3780 | We must judge a thing morally to know if it conforms to God's will [Bentham] |