37 ideas
| 23728 | Analysis aims to express the full set of platitudes surrounding a given concept [Smith,M] |
| 23744 | Defining a set of things by paradigms doesn't pin them down enough [Smith,M] |
| 16051 | Life has a new supervenient relation, which alters its underlying physical events [Morgan,L] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 23743 | Capturing all the common sense facts about rationality is almost impossible [Smith,M] |
| 23739 | Goals need desires, and so only desires can motivate us [Smith,M] |
| 23724 | A pure desire could be criticised if it were based on a false belief [Smith,M] |
| 23736 | A person can have a desire without feeling it [Smith,M] |
| 23723 | In the Humean account, desires are not true/false, or subject to any rational criticism [Smith,M] |
| 23735 | Subjects may be fallible about the desires which explain their actions [Smith,M] |
| 23738 | Humeans (unlike their opponents) say that desires and judgements can separate [Smith,M] |
| 23742 | If first- and second-order desires conflict, harmony does not require the second-order to win [Smith,M] |
| 23746 | Objective reasons to act might be the systematic desires of a fully rational person [Smith,M] |
| 23733 | Motivating reasons are psychological, while normative reasons are external [Smith,M] |
| 23740 | Humeans take maximising desire satisfaction as the normative reasons for actions [Smith,M] |
| 23745 | We cannot expect even fully rational people to converge on having the same desires for action [Smith,M] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 23731 | 'Externalists' say moral judgements are not reasons, and maybe not even motives [Smith,M] |
| 23732 | A person could make a moral judgement without being in any way motivated by it [Smith,M] |
| 23729 | Moral internalism says a judgement of rightness is thereby motivating [Smith,M] |
| 23730 | 'Rationalism' says the rightness of an action is a reason to perform it [Smith,M] |
| 23727 | Expressivists count attitudes as 'moral' if they concern features of things, rather than their mere existence [Smith,M] |
| 23741 | Is valuing something a matter of believing or a matter of desiring? [Smith,M] |