32 ideas
| 8502 | Realism doesn't explain 'a is F' any further by saying it is 'a has F-ness' [Devitt] |
| 8503 | The particular/universal distinction is unhelpful clutter; we should accept 'a is F' as basic [Devitt] |
| 8501 | Quineans take predication about objects as basic, not reference to properties they may have [Devitt] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 17368 | Essentialism concerns the nature of a group, not its category [Devitt] |
| 17370 | Things that gradually change, like species, can still have essences [Devitt] |
| 9354 | Why should necessities only be knowable a priori? That Hesperus is Phosporus is known empirically [Devitt] |
| 19565 | How could the mind have a link to the necessary character of reality? [Devitt] |
| 9353 | We explain away a priori knowledge, not as directly empirical, but as indirectly holistically empirical [Devitt] |
| 9356 | The idea of the a priori is so obscure that it won't explain anything [Devitt] |
| 19564 | Some knowledge must be empirical; naturalism implies that all knowledge is like that [Devitt] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 6316 | We translate in a way that makes the largest possible number of statements true [Wilson,NL] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 17371 | Some kinds are very explanatory, but others less so, and some not at all [Devitt] |
| 17369 | We name species as small to share properties, but large enough to yield generalisations [Devitt] |
| 17367 | Species are phenetic, biological, niche, or phylogenetic-cladistic [Devitt, by PG] |
| 17372 | The higher categories are not natural kinds, so the Linnaean hierarchy should be given up [Devitt] |
| 17373 | Species pluralism says there are several good accounts of what a species is [Devitt] |