42 ideas
| 4739 | In "if and only if" (iff), "if" expresses the sufficient condition, and "only if" the necessary condition [Engel] |
| 4737 | Are truth-bearers propositions, or ideas/beliefs, or sentences/utterances? [Engel] |
| 4750 | The redundancy theory gets rid of facts, for 'it is a fact that p' just means 'p' [Engel] |
| 4744 | We can't explain the corresponding structure of the world except by referring to our thoughts [Engel] |
| 4738 | The coherence theory says truth is an internal relationship between groups of truth-bearers [Engel] |
| 4745 | Any coherent set of beliefs can be made more coherent by adding some false beliefs [Engel] |
| 4753 | Deflationism seems to block philosophers' main occupation, asking metatheoretical questions [Engel] |
| 4755 | Deflationism cannot explain why we hold beliefs for reasons [Engel] |
| 4751 | Maybe there is no more to be said about 'true' than there is about the function of 'and' in logic [Engel] |
| 14240 | The empty set is something, not nothing! [Oliver/Smiley] |
| 14239 | The empty set is usually derived from Separation, but it also seems to need Infinity [Oliver/Smiley] |
| 14241 | We don't need the empty set to express non-existence, as there are other ways to do that [Oliver/Smiley] |
| 14242 | Maybe we can treat the empty set symbol as just meaning an empty term [Oliver/Smiley] |
| 14243 | The unit set may be needed to express intersections that leave a single member [Oliver/Smiley] |
| 4752 | Deflationism must reduce bivalence ('p is true or false') to excluded middle ('p or not-p') [Engel] |
| 14234 | If you only refer to objects one at a time, you need sets in order to refer to a plurality [Oliver/Smiley] |
| 14237 | We can use plural language to refer to the set theory domain, to avoid calling it a 'set' [Oliver/Smiley] |
| 14245 | Logical truths are true no matter what exists - but predicate calculus insists that something exists [Oliver/Smiley] |
| 14246 | If mathematics purely concerned mathematical objects, there would be no applied mathematics [Oliver/Smiley] |
| 14247 | Sets might either represent the numbers, or be the numbers, or replace the numbers [Oliver/Smiley] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 4762 | The Humean theory of motivation is that beliefs may be motivators as well as desires [Engel] |
| 4754 | Our beliefs are meant to fit the world (i.e. be true), where we want the world to fit our desires [Engel] |
| 4763 | 'Evidentialists' say, and 'voluntarists' deny, that we only believe on the basis of evidence [Engel] |
| 4746 | Pragmatism is better understood as a theory of belief than as a theory of truth [Engel] |
| 4764 | We cannot directly control our beliefs, but we can control the causes of our involuntary beliefs [Engel] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 4759 | Mental states as functions are second-order properties, realised by first-order physical properties [Engel] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |