29 ideas
17292 | Avoid 'in virtue of' for grounding, since it might imply a reflexive relation such as identity [Audi,P] |
17295 | Ground relations depend on the properties [Audi,P] |
17297 | A ball's being spherical non-causally determines its power to roll [Audi,P] |
17302 | Ground is irreflexive, asymmetric, transitive, non-monotonic etc. [Audi,P] |
17303 | The best critique of grounding says it is actually either identity or elimination [Audi,P] |
17294 | Grounding is a singular relation between worldly facts [Audi,P] |
17300 | If grounding relates facts, properties must be included, as well as objects [Audi,P] |
17296 | We must accept grounding, for our important explanations [Audi,P] |
17301 | Reduction is just identity, so the two things are the same fact, so reduction isn't grounding [Audi,P] |
17293 | Worldly facts are obtaining states of affairs, with constituents; conceptual facts also depend on concepts [Audi,P] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
17298 | Two things being identical (like water and H2O) is not an explanation [Audi,P] |
15282 | Facts should be deducible from the theory and initial conditions, and prefer the simpler theory [Osiander, by Harré/Madden] |
17299 | There are plenty of examples of non-causal explanation [Audi,P] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |