45 ideas
| 9198 | It is no longer possible to be a sage, but we can practice the exercise of wisdom [Hadot] |
| 9197 | The logos represents a demand for universal rationality [Hadot] |
| 6504 | For physicalists, the only relations are spatial, temporal and causal [Robinson,H] |
| 6520 | If reality just has relational properties, what are its substantial ontological features? [Robinson,H] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 6485 | When a red object is viewed, the air in between does not become red [Robinson,H] |
| 6521 | Representative realists believe that laws of phenomena will apply to the physical world [Robinson,H] |
| 6509 | Representative realists believe some properties of sense-data are shared by the objects themselves [Robinson,H] |
| 6522 | Phenomenalism can be theistic (Berkeley), or sceptical (Hume), or analytic (20th century) [Robinson,H] |
| 6502 | Can we reduce perception to acquisition of information, which is reduced to causation or disposition? [Robinson,H] |
| 6513 | Would someone who recovered their sight recognise felt shapes just by looking? [Robinson,H] |
| 6512 | Secondary qualities have one sensory mode, but primary qualities can have more [Robinson,H] |
| 6497 | We say objects possess no intrinsic secondary qualities because physicists don't need them [Robinson,H] |
| 6494 | If objects are not coloured, and neither are sense-contents, we are left saying that nothing is coloured [Robinson,H] |
| 6499 | Shape can be experienced in different ways, but colour and sound only one way [Robinson,H] |
| 6500 | If secondary qualities match senses, would new senses create new qualities? [Robinson,H] |
| 6484 | Most moderate empiricists adopt Locke's representative theory of perception [Robinson,H] |
| 6508 | Sense-data leads to either representative realism or phenomenalism or idealism [Robinson,H] |
| 6480 | Sense-data do not have any intrinsic intentionality [Robinson,H] |
| 6482 | For idealists and phenomenalists sense-data are in objects; representative realists say they resemble objects [Robinson,H] |
| 6505 | Sense-data are rejected because they are a veil between us and reality, leading to scepticism [Robinson,H] |
| 6506 | 'Sense redly' sounds peculiar, but 'senses redly-squarely tablely' sounds far worse [Robinson,H] |
| 6507 | Adverbialism sees the contents of sense-experience as modes, not objects [Robinson,H] |
| 6511 | If there are only 'modes' of sensing, then an object can no more be red or square than it can be proud or lazy. [Robinson,H] |
| 6515 | An explanation presupposes something that is improbable unless it is explained [Robinson,H] |
| 6517 | If all possibilities are equal, order seems (a priori) to need an explanation - or does it? [Robinson,H] |
| 6481 | If intentional states are intrinsically about other things, what are their own properties? [Robinson,H] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 6503 | Physicalism cannot allow internal intentional objects, as brain states can't be 'about' anything [Robinson,H] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 9196 | The pleasure of existing is the only genuine pleasure [Hadot] |
| 6519 | Locke's solidity is not matter, because that is impenetrability and hardness combined [Robinson,H] |