46 ideas
| 13966 | Analytic philosophy loved the necessary a priori analytic, linguistic modality, and rigour [Soames] |
| 13974 | If philosophy is analysis of meaning, available to all competent speakers, what's left for philosophers? [Soames] |
| 12463 | Unlike correspondence, truthmaking can be one truth to many truthmakers, or vice versa [Jacobs] |
| 15163 | The interest of quantified modal logic is its metaphysical necessity and essentialism [Soames] |
| 15158 | Indefinite descriptions are quantificational in subject position, but not in predicate position [Soames] |
| 15157 | Recognising the definite description 'the man' as a quantifier phrase, not a singular term, is a real insight [Soames] |
| 15156 | The universal and existential quantifiers were chosen to suit mathematics [Soames] |
| 14375 | If structures result from intrinsic natures of properties, the 'relations' between them can drop out [Jacobs] |
| 14378 | Science aims at identifying the structure and nature of the powers that exist [Jacobs] |
| 12467 | Powers come from concrete particulars, not from the laws of nature [Jacobs] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 13969 | Kripkean essential properties and relations are necessary, in all genuinely possible worlds [Soames] |
| 15162 | We understand metaphysical necessity intuitively, from ordinary life [Soames] |
| 15161 | There are more metaphysically than logically necessary truths [Soames] |
| 14377 | Possibilities are manifestations of some power, and impossibilies rest on no powers [Jacobs] |
| 14376 | States of affairs are only possible if some substance could initiate a causal chain to get there [Jacobs] |
| 14379 | Counterfactuals invite us to consider the powers picked out by the antecedent [Jacobs] |
| 14372 | Possible worlds are just not suitable truthmakers for modality [Jacobs] |
| 13973 | A key achievement of Kripke is showing that important modalities are not linguistic in source [Soames] |
| 12466 | All modality is in the properties and relations of the actual world [Jacobs] |
| 14371 | We can base counterfactuals on powers, not possible worlds, and hence define necessity [Jacobs] |
| 12465 | Concrete worlds, unlike fictions, at least offer evidence of how the actual world could be [Jacobs] |
| 12464 | If some book described a possibe life for you, that isn't what makes such a life possible [Jacobs] |
| 12469 | Possible worlds semantics gives little insight into modality [Jacobs] |
| 13968 | Kripkean possible worlds are abstract maximal states in which the real world could have been [Soames] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 15152 | To study meaning, study truth conditions, on the basis of syntax, and representation by the parts [Soames] |
| 15153 | Tarski's account of truth-conditions is too weak to determine meanings [Soames] |
| 13965 | Semantics as theory of meaning and semantics as truth-based logical consequence are very different [Soames] |
| 13964 | Semantic content is a proposition made of sentence constituents (not some set of circumstances) [Soames] |
| 13972 | Two-dimensionalism reinstates descriptivism, and reconnects necessity and apriority to analyticity [Soames] |
| 15154 | We should use cognitive states to explain representational propositions, not vice versa [Soames] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |