27 ideas
10051 | The axiom of infinity is not a truth of logic, and its adoption is an abandonment of logicism [Kneale,W and M] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
19682 | Internalists are much more interested in evidence than externalists are [McGrew] |
19684 | Does spotting a new possibility count as evidence? [McGrew] |
19687 | Absence of evidence proves nothing, and weird claims need special evidence [McGrew] |
19688 | Every event is highly unlikely (in detail), but may be perfectly plausible [McGrew] |
19686 | Criminal law needs two separate witnesses, but historians will accept one witness [McGrew] |
19680 | Maybe all evidence consists of beliefs, rather than of facts [McGrew] |
19681 | If all evidence is propositional, what is the evidence for the proposition? Do we face a regress? [McGrew] |
19689 | Several unreliable witnesses can give good support, if they all say the same thing [McGrew] |
19683 | Narrow evidentialism relies wholly on propositions; the wider form includes other items [McGrew] |
19685 | Falsificationism would be naive if even a slight discrepancy in evidence killed a theory [McGrew] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |