Combining Philosophers

All the ideas for Roger Fry, R Feldman / E Conee and Michel de Montaigne

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29 ideas

1. Philosophy / A. Wisdom / 2. Wise People
Why can't a wise man doubt everything? [Montaigne]
1. Philosophy / A. Wisdom / 3. Wisdom Deflated
No wisdom could make us comfortably walk a wide beam if it was high in the air [Montaigne]
1. Philosophy / B. History of Ideas / 4. Early European Thought
Montaigne was the founding father of liberalism [Montaigne, by Gopnik]
3. Truth / A. Truth Problems / 3. Value of Truth
Virtue is the distinctive mark of truth, and its greatest product [Montaigne]
7. Existence / D. Theories of Reality / 3. Reality
We lack some sense or other, and hence objects may have hidden features [Montaigne]
11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
Involuntary beliefs can still be evaluated [Feldman/Conee]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / b. Evidentialism
Evidentialism is the view that justification is determined by the quality of the evidence [Feldman/Conee]
Beliefs should fit evidence, and if you ought to believe it, then you are justified [Feldman/Conee]
13. Knowledge Criteria / C. External Justification / 3. Reliabilism / a. Reliable knowledge
If someone rejects good criticism through arrogance, that is irrelevant to whether they have knowledge [Feldman/Conee]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Sceptics say there is truth, but no means of making or testing lasting judgements [Montaigne]
15. Nature of Minds / A. Nature of Mind / 1. Mind / d. Location of mind
The soul is in the brain, as shown by head injuries [Montaigne]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / g. Moral responsibility
Rules and duties are based on the will, as that is all we control [Montaigne]
22. Metaethics / B. Value / 2. Values / e. Death
Apart from the fear, dying is an easy duty [Montaigne]
22. Metaethics / C. The Good / 3. Pleasure / c. Value of pleasure
We must fight fiercely to hang on to the few pleasures which survive into old age [Montaigne]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / c. Motivation for virtue
Virtue inspires Stoics, but I want a good temperament [Montaigne]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
There is not much point in only becoming good near the end of your life [Montaigne]
25. Social Practice / A. Freedoms / 3. Free speech
Nothing we say can be worse than unsaying it in the face of authority [Montaigne]
25. Social Practice / E. Policies / 1. War / c. Combatants
People at home care far more than soldiers risking death about the outcome of wars [Montaigne]