22 ideas
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
16065 | Constitution is identity (being in the same place), or it isn't (having different possibilities) [Wasserman] |
16067 | Constitution is not identity, because it is an asymmetric dependence relation [Wasserman] |
16069 | There are three main objections to seeing constitution as different from identity [Wasserman] |
16068 | The weight of a wall is not the weight of its parts, since that would involve double-counting [Wasserman] |
16074 | Relative identity may reject transitivity, but that suggests that it isn't about 'identity' [Wasserman] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
1497 | For Anaximenes nature is air, which takes different forms by rarefaction and condensation [Anaximenes, by Simplicius] |