Combining Philosophers

All the ideas for Sebastian Gardner, Ferdinand T��nnies and Roger Fry

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22 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
21463 Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner]
21459 Kant halted rationalism, and forced empiricists to worry about foundations [Gardner]
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
21460 Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner]
2. Reason / E. Argument / 2. Transcendental Argument
21443 Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner]
6. Mathematics / A. Nature of Mathematics / 2. Geometry
21444 Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner]
7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
21453 Leibnizian monads qualify as Kantian noumena [Gardner]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
8108 Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
8112 Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
8111 Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
8109 Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
24. Political Theory / D. Ideologies / 7. Communitarianism / a. Communitarianism
7492 Early societies are based on community, and modern societies on association [Tönnies, by Watson]