37 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 19115 | You can 'rebut' an argument's conclusion, or 'undercut' its premises [Antonelli] |
| 19119 | We infer that other objects are like some exceptional object, if they share some of its properties [Antonelli] |
| 19111 | Reasoning may be defeated by new premises, or by finding out more about the given ones [Antonelli] |
| 19114 | Should we accept Floating Conclusions, derived from two arguments in conflict? [Antonelli] |
| 19113 | Weakest Link Principle: prefer the argument whose weakest link is the stronger [Antonelli] |
| 19116 | Non-monotonic core: Reflexivity, Cut, Cautious Monotonicity, Left Logical Equivalence, Right Weakening [Antonelli] |
| 19117 | We can rank a formula by the level of surprise if it were to hold [Antonelli] |
| 19118 | People don't actually use classical logic, but may actually use non-monotonic logic [Antonelli] |
| 19110 | In classical logic the relation |= has Monotony built into its definition [Antonelli] |
| 19112 | Cautious Monotony ignores proved additions; Rational Monotony fails if the addition's negation is proved [Antonelli] |
| 7876 | Even if we identify pain with neural events, we can't explain why those neurons cause that feeling [Levine, by Papineau] |
| 7877 | Only phenomenal states have an explanatory gap; water is fully explained by H2O [Levine, by Papineau] |
| 7878 | Materialism won't explain phenomenal properties, because the latter aren't seen in causal roles [Papineau on Levine] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |