63 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 11051 | Frege's logical approach dominates the analytical tradition [Hanna] |
| 11054 | Scientism says most knowledge comes from the exact sciences [Hanna] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 11070 | 'Denying the antecedent' fallacy: φ→ψ, ¬φ, so ¬ψ [Hanna] |
| 11071 | 'Affirming the consequent' fallacy: φ→ψ, ψ, so φ [Hanna] |
| 11088 | We can list at least fourteen informal fallacies [Hanna] |
| 11059 | Circular arguments are formally valid, though informally inadmissible [Hanna] |
| 11089 | Formally, composition and division fallacies occur in mereology [Hanna] |
| 11058 | Logic is explanatorily and ontologically dependent on rational animals [Hanna] |
| 11072 | Logic is personal and variable, but it has a universal core [Hanna] |
| 11061 | Intensional consequence is based on the content of the concepts [Hanna] |
| 11063 | Logicism struggles because there is no decent theory of analyticity [Hanna] |
| 22076 | Being is only perceptible to itself as becoming [Schelling] |
| 11055 | Supervenience can add covariation, upward dependence, and nomological connection [Hanna] |
| 11083 | A sentence is necessary if it is true in a set of worlds, and nonfalse in the other worlds [Hanna] |
| 11086 | Metaphysical necessity can be 'weak' (same as logical) and 'strong' (based on essences) [Hanna] |
| 11084 | Logical necessity is truth in all logically possible worlds, because of laws and concepts [Hanna] |
| 11085 | Nomological necessity is truth in all logically possible worlds with our laws [Hanna] |
| 22072 | Schelling always affirmed the absolute status of freedom [Schelling, by Courtine] |
| 21925 | For Schelling the Absolute spirit manifests as nature in which self-consciousness evolves [Schelling, by Lewis,PB] |
| 22045 | Metaphysics aims at the Absolute, which goes beyond subjective and objective viewpoints [Schelling, by Pinkard] |
| 22074 | We must show that the whole of nature, because it is effective, is grounded in freedom [Schelling] |
| 11077 | Intuition includes apriority, clarity, modality, authority, fallibility and no inferences [Hanna] |
| 11080 | Intuition is more like memory, imagination or understanding, than like perception [Hanna] |
| 11078 | Intuition is only outside the 'space of reasons' if all reasons are inferential [Hanna] |
| 11053 | Explanatory reduction is stronger than ontological reduction [Hanna] |
| 11081 | Imagination grasps abstracta, generates images, and has its own correctness conditions [Hanna] |
| 22073 | The basis of philosophy is the Self prior to experience, where it is the essence of freedom [Schelling] |
| 22075 | Only idealism has given us the genuine concept of freedom [Schelling] |
| 11082 | Should we take the 'depictivist' or the 'descriptivist/propositionalist' view of mental imagery? [Hanna] |
| 11067 | Rational animals have a normative concept of necessity [Hanna] |
| 11068 | One tradition says talking is the essence of rationality; the other says the essence is logic [Hanna] |
| 11047 | Hegelian holistic rationality is the capacity to seek coherence [Hanna] |
| 11048 | Humean Instrumental rationality is the capacity to seek contingent truths [Hanna] |
| 11046 | Kantian principled rationality is recognition of a priori universal truths [Hanna] |
| 11045 | Most psychologists are now cognitivists [Hanna] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 20956 | Ultimately, all being is willing. The nature of primal being is the same as the nature of willing [Schelling] |
| 20957 | We don't choose our characters, yet we still claim credit for the actions our characters perform [Schelling] |
| 22057 | Schelling sought a union between the productivities of nature and of the mind [Schelling, by Bowie] |
| 22031 | Schelling made organisms central to nature, because mere mechanism could never produce them [Schelling, by Pinkard] |