43 ideas
| 1542 | Diogenes of Apollonia was the last natural scientist [Diogenes of Apollonia, by Simplicius] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 12129 | 'Truth' may only apply within a theory [Kuhn] |
| 489 | Each thing must be in some way unique [Diogenes of Apollonia] |
| 483 | Start a thesis with something undisputable [Diogenes of Apollonia] |
| 1544 | Perception must be an internal matter, because we can fail to perceive when we are preoccupied [Diogenes of Apollonia, by Theophrastus] |
| 18076 | Most theories are continually falsified [Kuhn, by Kitcher] |
| 22191 | Kuhn's scientists don't aim to falsifying their paradigm, because that is what they rely on [Kuhn, by Gorham] |
| 6809 | Kuhn came to accept that all scientists agree on a particular set of values [Kuhn, by Bird] |
| 22183 | Switching scientific paradigms is a conversion experience [Kuhn] |
| 6162 | Kuhn has a description theory of reference, so the reference of 'electron' changes with the descriptions [Rowlands on Kuhn] |
| 22184 | Incommensurability assumes concepts get their meaning from within the theory [Kuhn, by Okasha] |
| 7619 | Galileo's notions can't be 'incommensurable' if we can fully describe them [Putnam on Kuhn] |
| 12128 | In theory change, words shift their natural reference, so the theories are incommensurable [Kuhn] |
| 24042 | The older Diogenes said the soul is air, made of the smallest particles [Diogenes of Apollonia] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 5995 | Diogenes of Apollonia offered the first teleological account of cosmology [Diogenes of Apollonia, by Robinson,TM] |
| 488 | Air is divine, because it is in and around everything, and arranges everything [Diogenes of Apollonia] |
| 484 | Everything is ultimately a variation of one underlying thing [Diogenes of Apollonia] |
| 486 | Plants and animals can only come into existence if something fixes their species [Diogenes of Apollonia] |
| 485 | Things must retain their essential nature during change, or mixing would be impossible [Diogenes of Apollonia] |