35 ideas
| 11257 | The Pythagoreans were the first to offer definitions [Politis, by Politis] |
| 11235 | 'True of' is applicable to things, while 'true' is applicable to words [Politis] |
| 11277 | Maybe 'What is being? is confusing because we can't ask what non-being is like [Politis] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 11248 | Necessary truths can be two-way relational, where essential truths are one-way or intrinsic [Politis] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 22858 | There is collective action, where a trend is manifest, but is not attributable to individuals [Lukes] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 22850 | Hidden powers are the most effective [Lukes] |
| 22852 | The pluralist view says that power is restrained by group rivalry [Lukes] |
| 22854 | Power is a capacity, which may never need to be exercised [Lukes] |
| 22857 | The two-dimensional view of power recognises the importance of controlling the agenda [Lukes] |
| 22855 | One-dimensionsal power is behaviour in observable conflicts of interests [Lukes] |
| 22856 | Political organisation brings some conflicts to the fore, and suppresses others [Lukes] |
| 22860 | The evidence for the exertion of power need not involve a grievance of the powerless [Lukes] |
| 22861 | Power is affecting a person in a way contrary to their interests [Lukes] |
| 22863 | Power is the capacity of a social class to realise its interests [Lukes] |
| 21133 | Supreme power is getting people to have thoughts and desires chosen by you [Lukes] |
| 22859 | Power can be exercised to determine a person's desires [Lukes] |
| 22851 | In the 1950s they said ideology is finished, and expertise takes over [Lukes] |
| 22862 | Liberals take people as they are, and take their preferences to be their interests [Lukes] |
| 22853 | Anyone who thinks capitalism can improve their lives is endorsing capitalism [Lukes] |