Combining Philosophers

All the ideas for W Wimsatt/W Beardsley, Fred Sommers and Trent Dougherty

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19 ideas

3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
Truthmakers are facts 'of' a domain, not something 'in' the domain [Sommers]
4. Formal Logic / A. Syllogistic Logic / 3. Term Logic
'Predicable' terms come in charged pairs, with one the negation of the other [Sommers, by Engelbretsen]
Logic which maps ordinary reasoning must be transparent, and free of variables [Sommers]
5. Theory of Logic / D. Assumptions for Logic / 4. Identity in Logic
Predicate logic has to spell out that its identity relation '=' is an equivalent relation [Sommers]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
Translating into quantificational idiom offers no clues as to how ordinary thinkers reason [Sommers]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / c. not
Sommers promotes the old idea that negation basically refers to terms [Sommers, by Engelbretsen]
5. Theory of Logic / E. Structures of Logic / 7. Predicates in Logic
Predicates form a hierarchy, from the most general, down to names at the bottom [Sommers]
7. Existence / D. Theories of Reality / 2. Realism
Unfortunately for realists, modern logic cannot say that some fact exists [Sommers]
7. Existence / E. Categories / 1. Categories
Categories can't overlap; they are either disjoint, or inclusive [Sommers, by Westerhoff]
11. Knowledge Aims / B. Certain Knowledge / 3. Fallibilism
Fallibilism is consistent with dogmatism or scepticism, and is not alternative to them [Dougherty]
It is best to see the fallibility in the reasons, rather than in the agents or the knowledge [Dougherty]
We can't normally say that we know something 'but it might be false' [Dougherty]
19. Language / B. Reference / 1. Reference theories
In standard logic, names are the only way to refer [Sommers]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]