Combining Philosophers

All the ideas for W Wimsatt/W Beardsley, Jaakko Hintikka and Allan Gibbard

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22 ideas

7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
Our commitments are to an 'ontology', but also to an 'ideology', or conceptual system [Hintikka]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard]
A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard]
Clay and statue are two objects, which can be named and reasoned about [Gibbard]
We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Essentialism for concreta is false, since they can come apart under two concepts [Gibbard]
9. Objects / E. Objects over Time / 12. Origin as Essential
A particular statue has sortal persistence conditions, so its origin defines it [Gibbard]
9. Objects / F. Identity among Objects / 6. Identity between Objects
Claims on contingent identity seem to violate Leibniz's Law [Gibbard]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Two identical things must share properties - including creation and destruction times [Gibbard]
Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Commitment to possible worlds is part of our ideology, not part of our ontology [Hintikka]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Possible worlds identity needs a sortal [Gibbard]
Only concepts, not individuals, can be the same across possible worlds [Gibbard]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
Naming a thing in the actual world also invokes some persistence criteria [Gibbard]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]