20 ideas
19727 | Reliabilist knowledge is evidence based belief, with high conditional probability [Comesaņa] |
19725 | In a sceptical scenario belief formation is unreliable, so no beliefs at all are justified? [Comesaņa] |
19726 | How do we decide which exact process is the one that needs to be reliable? [Comesaņa] |
20429 | Most of us are too close to our own motives to understand them [Fry] |
20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
20431 | Art needs a mixture of order and variety in its sensations [Fry] |
20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |