18 ideas
18696 | The vagueness of truthmaker claims makes it easier to run anti-realist arguments [Button] |
18701 | The coherence theory says truth is coherence of thoughts, and not about objects [Button] |
18694 | Permutation Theorem: any theory with a decent model has lots of models [Button] |
18692 | Realists believe in independent objects, correspondence, and fallibility of all theories [Button] |
18693 | Indeterminacy arguments say if a theory can be made true, it has multiple versions [Button] |
18695 | An ideal theory can't be wholly false, because its consistency implies a true model [Button] |
18700 | Cartesian scepticism doubts what is true; Kantian scepticism doubts that it is sayable [Button] |
18698 | Predictions give the 'content' of theories, which can then be 'equivalent' or 'adequate' [Button] |
18697 | A sentence's truth conditions are all the situations where it would be true [Button] |
20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |