16 ideas
| 6900 | A prior understanding of beauty is needed to assert that the Form of the Beautiful is beautiful [Westaway] |
| 6956 | At what point does an object become 'whole'? [Westaway] |
| 7335 | The Chinese Room should be able to ask itself questions in Mandarin [Westaway] |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |