19 ideas
21463 | Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner] |
21459 | Kant halted rationalism, and forced empiricists to worry about foundations [Gardner] |
21460 | Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner] |
21443 | Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner] |
21444 | Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner] |
21453 | Leibnizian monads qualify as Kantian noumena [Gardner] |
8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |