Combining Philosophers

All the ideas for W Wimsatt/W Beardsley, Roger Fry and Gerhard Gentzen

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23 ideas

5. Theory of Logic / A. Overview of Logic / 2. History of Logic
11022 Gentzen introduced a natural deduction calculus (NK) in 1934 [Gentzen, by Read]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
11065 The inferential role of a logical constant constitutes its meaning [Gentzen, by Hanna]
11023 The logical connectives are 'defined' by their introduction rules [Gentzen]
11213 Each logical symbol has an 'introduction' rule to define it, and hence an 'elimination' rule [Gentzen]
5. Theory of Logic / H. Proof Systems / 4. Natural Deduction
13832 Natural deduction shows the heart of reasoning (and sequent calculus is just a tool) [Gentzen, by Hacking]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / g. Incompleteness of Arithmetic
10067 Gentzen proved the consistency of arithmetic from assumptions beyond arithmetic [Gentzen, by Musgrave]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
20400 Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
7266 The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
7267 Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
7268 The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
7269 The intentional fallacy is a romantic one [Wimsatt/Beardsley]
7271 Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]