Combining Philosophers

All the ideas for William W. Tait, Beth Lord and Roger Fry

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22 ideas

1. Philosophy / B. History of Ideas / 5. Later European Thought
21855 Only in the 1780s did it become acceptable to read Spinoza [Lord]
1. Philosophy / F. Analytic Philosophy / 7. Limitations of Analysis
9978 Analytic philosophy focuses too much on forms of expression, instead of what is actually said [Tait]
4. Formal Logic / F. Set Theory ST / 3. Types of Set / b. Empty (Null) Set
9986 The null set was doubted, because numbering seemed to require 'units' [Tait]
4. Formal Logic / F. Set Theory ST / 7. Natural Sets
9984 We can have a series with identical members [Tait]
5. Theory of Logic / K. Features of Logics / 1. Axiomatisation
13416 Mathematics must be based on axioms, which are true because they are axioms, not vice versa [Tait, by Parsons,C]
15. Nature of Minds / C. Capacities of Minds / 10. Conatus/Striving
21866 Hobbes and Spinoza use 'conatus' to denote all endeavour for advantage in nature [Lord]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
18. Thought / E. Abstraction / 2. Abstracta by Selection
9981 Abstraction is 'logical' if the sense and truth of the abstraction depend on the concrete [Tait]
9982 Cantor and Dedekind use abstraction to fix grammar and objects, not to carry out proofs [Tait]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
9985 Abstraction may concern the individuation of the set itself, not its elements [Tait]
18. Thought / E. Abstraction / 8. Abstractionism Critique
9972 Why should abstraction from two equipollent sets lead to the same set of 'pure units'? [Tait]
9980 If abstraction produces power sets, their identity should imply identity of the originals [Tait]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]