Combining Philosophers

All the ideas for Xenophanes, Stephen Davies and Friedrich Schelling

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41 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
7. Existence / A. Nature of Existence / 3. Being / c. Becoming
Being is only perceptible to itself as becoming [Schelling]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
Schelling always affirmed the absolute status of freedom [Schelling, by Courtine]
For Schelling the Absolute spirit manifests as nature in which self-consciousness evolves [Schelling, by Lewis,PB]
Metaphysics aims at the Absolute, which goes beyond subjective and objective viewpoints [Schelling, by Pinkard]
We must show that the whole of nature, because it is effective, is grounded in freedom [Schelling]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
If we succeed in speaking the truth, we cannot know we have done it [Xenophanes]
13. Knowledge Criteria / E. Relativism / 1. Relativism
If God had not created honey, men would say figs are sweeter [Xenophanes]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
The basis of philosophy is the Self prior to experience, where it is the essence of freedom [Schelling]
16. Persons / F. Free Will / 2. Sources of Free Will
Only idealism has given us the genuine concept of freedom [Schelling]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / g. Will to power
Ultimately, all being is willing. The nature of primal being is the same as the nature of willing [Schelling]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
We don't choose our characters, yet we still claim credit for the actions our characters perform [Schelling]
26. Natural Theory / A. Speculations on Nature / 1. Nature
Schelling sought a union between the productivities of nature and of the mind [Schelling, by Bowie]
Schelling made organisms central to nature, because mere mechanism could never produce them [Schelling, by Pinkard]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / e. The One
The basic Eleatic belief was that all things are one [Xenophanes, by Plato]
28. God / A. Divine Nature / 2. Divine Nature
Xenophanes said the essence of God was spherical and utterly inhuman [Xenophanes, by Diog. Laertius]
28. God / C. Attitudes to God / 5. Atheism
Ethiopian gods have black hair, and Thracian gods have red hair [Xenophanes]
Mortals believe gods are born, and have voices and clothes just like mortals [Xenophanes]