Combining Philosophers

All the ideas for Roger Fry, William Lyons and Geoffrey Hellman

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22 ideas

6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / a. Structuralism
8921 Structuralism is now common, studying relations, with no regard for what the objects might be [Hellman]
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / c. Nominalist structuralism
8698 Modal structuralism says mathematics studies possible structures, which may or may not be actualised [Hellman, by Friend]
9557 Statements of pure mathematics are elliptical for a sort of modal conditional [Hellman, by Chihara]
10263 Modal structuralism can only judge possibility by 'possible' models [Shapiro on Hellman]
8922 Maybe mathematical objects only have structural roles, and no intrinsic nature [Hellman]
11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
2986 Belief is the most important propositional attitude [Lyons]
15. Nature of Minds / B. Features of Minds / 4. Intentionality / b. Intentionality theories
2978 Consciousness no longer seems essential to intentionality [Lyons]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
17. Mind and Body / E. Mind as Physical / 4. Connectionism
2984 Perceptions could give us information without symbolic representation [Lyons]
18. Thought / A. Modes of Thought / 2. Propositional Attitudes
2979 Propositional attitudes require representation [Lyons]
18. Thought / A. Modes of Thought / 4. Folk Psychology
2987 Folk psychology works badly for alien cultures [Lyons]
18. Thought / C. Content / 1. Content
2977 All thinking has content [Lyons]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]