Combining Philosophers

All the ideas for Peter B. Lewis, Michael Potter and Roger Fry

expand these ideas     |    start again     |     specify just one area for these philosophers

27 ideas

4. Formal Logic / F. Set Theory ST / 1. Set Theory
Set theory's three roles: taming the infinite, subject-matter of mathematics, and modes of reasoning [Potter]
4. Formal Logic / F. Set Theory ST / 3. Types of Set / b. Empty (Null) Set
Usually the only reason given for accepting the empty set is convenience [Potter]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / f. Axiom of Infinity V
Infinity: There is at least one limit level [Potter]
4. Formal Logic / F. Set Theory ST / 5. Conceptions of Set / e. Iterative sets
Nowadays we derive our conception of collections from the dependence between them [Potter]
4. Formal Logic / F. Set Theory ST / 5. Conceptions of Set / f. Limitation of Size
The 'limitation of size' principles say whether properties collectivise depends on the number of objects [Potter]
4. Formal Logic / G. Formal Mereology / 1. Mereology
Mereology elides the distinction between the cards in a pack and the suits [Potter]
5. Theory of Logic / A. Overview of Logic / 7. Second-Order Logic
We can formalize second-order formation rules, but not inference rules [Potter]
5. Theory of Logic / H. Proof Systems / 3. Proof from Assumptions
Supposing axioms (rather than accepting them) give truths, but they are conditional [Potter]
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / c. Counting procedure
If set theory didn't found mathematics, it is still needed to count infinite sets [Potter]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / d. Peano arithmetic
It is remarkable that all natural number arithmetic derives from just the Peano Axioms [Potter]
8. Modes of Existence / A. Relations / 4. Formal Relations / a. Types of relation
A relation is a set consisting entirely of ordered pairs [Potter]
9. Objects / B. Unity of Objects / 2. Substance / b. Need for substance
If dependence is well-founded, with no infinite backward chains, this implies substances [Potter]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
Collections have fixed members, but fusions can be carved in innumerable ways [Potter]
10. Modality / A. Necessity / 1. Types of Modality
Priority is a modality, arising from collections and members [Potter]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
Fichte, Schelling and Hegel rejected transcendental idealism [Lewis,PB]
Fichte, Hegel and Schelling developed versions of Absolute Idealism [Lewis,PB]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]