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Single Idea 20334

[filed under theme 21. Aesthetics / B. Nature of Art / 7. Ontology of Art ]

Full Idea

The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form.

Gist of Idea

The ideal theory says art is an intuition, shaped by a particular process, and presented in public

Source

Richard Wollheim (Art and Its Objects [1968], 22)

Book Ref

Wollheim,Richard: 'Art and Its Objects' [Penguin 1975], p.52


A Reaction

[compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong.


The 16 ideas from 'Art and Its Objects'

It is claimed that the expressive properties of artworks are non-physical [Wollheim]
A drawing only represents Napoleon if the artist intended it to [Wollheim]
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
We often treat a type as if it were a sort of token [Wollheim]
An interpretation adds further properties to the generic piece of music [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
A criterion of identity for works of art would be easier than a definition [Wollheim]
Classes rarely share properties with their members - unlike universals and types [Wollheim]