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Single Idea 20430

[filed under theme 21. Aesthetics / A. Aesthetic Experience / 6. The Sublime ]

Full Idea

Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts.

Gist of Idea

In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore

Source

Roger Fry (An Essay in Aesthetics [1909], p.31)

Book Ref

Fry,Roger: 'Vision and Design' [Penguin 1937], p.31


A Reaction

Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I.


The 11 ideas from 'An Essay in Aesthetics'

If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
For pure moralists art must promote right action, and not just be harmless [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
Most of us are too close to our own motives to understand them [Fry]
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
Art needs a mixture of order and variety in its sensations [Fry]
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]