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Full Idea
The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance.
Clarification
'Intentionalism' is judging a work by its intentions
Gist of Idea
Biography can reveal meanings and dramatic character, as well as possible intentions
Source
W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV)
Book Ref
'Philosophy Looks at the Arts', ed/tr. Margolis,Joseph [Charles Scribner 1962], p.98
A Reaction
I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc.
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |