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Single Idea 8111

[filed under theme 21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art ]

Full Idea

The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response.

Gist of Idea

Aesthetic objectivists must explain pleasure being essential, but not in the object

Source

Sebastian Gardner (Aesthetics [1995], 1.2.3)

Book Ref

'Philosophy: a Guide Through the Subject', ed/tr. Grayling,A.C. [OUP 1995], p.591


A Reaction

The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you.


The 8 ideas with the same theme [possibility that aesthetic judgements can be true]:

The collective judgement of many people on art is better than that of an individual [Aristotle]
One man's meat is another man's poison [Lucretius]
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
Schopenhauer emphasises Ideas in art, unlike most romantics [Schopenhauer, by Lewis,PB]
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
Saying 'It's all a matter to taste' ignores the properties of the object discussed [Fogelin]