| 185 | Socrates despised good looks [Socrates, by Plato] |
| Full Idea: Socrates despises good looks to an almost inconceivable extent. | |
| From: report of Socrates (reports of career [c.420 BCE]) by Plato - The Symposium 216e |
| 282 | Non-physical beauty can only be shown clearly by speech [Plato] |
| Full Idea: The bodiless things, being the most beautiful and the greatest, are only shown with clarity by speech and nothing else. | |
| From: Plato (The Statesman [c.356 BCE], 286a) | |
| A reaction: Unfortunately this will be true of warped and ugly ideas as well. |
| 183 | Stage two is the realisation that beauty of soul is of more value than beauty of body [Plato] |
| Full Idea: The second stage of progress is to realise that beauty of soul is more valuable than beauty of body. | |
| From: Plato (The Symposium [c.384 BCE], 210b) |
| 184 | Progress goes from physical beauty, to moral beauty, to the beauty of knowledge, and reaches absolute beauty [Plato] |
| Full Idea: One should step up from physical beauty, to moral beauty, to the beauty of knowledge, until at last one knows what absolute beauty is. | |
| From: Plato (The Symposium [c.384 BCE], 211c) | |
| A reaction: Presumably this is why Socrates refused sexual favours to Alcibiades. The idea is inspiring, and yet it is a rejection of humanity. |
| 2837 | Nothing contrary to nature is beautiful [Aristotle] |
| Full Idea: Nothing that is contrary to nature is fine. | |
| From: Aristotle (Politics [c.332 BCE], 1325b09) | |
| A reaction: This seems a rather conservative view, since it rules out submarines, mountaineering and heart transplants.. It depends what we count as 'natural'. |
| 5851 | Pentathletes look the most beautiful, because they combine speed and strength [Aristotle] |
| Full Idea: The pentathletes are the most beautiful, being at the same time naturally suited to both speed and force. | |
| From: Aristotle (The Art of Rhetoric [c.350 BCE], 1361b09) | |
| A reaction: This is still true. Watch the Olympics. The bodies we envy most belong to those who do a variety of disciplines. The most beautiful music fulfils a variety of functions (structure, as well as melody, drama, rhythm, harmony, novelty). |
| 4870 | The most beautiful hand seen through the microscope will appear horrible [Spinoza] |
| Full Idea: The most beautiful hand seen through the microscope will appear horrible. | |
| From: Baruch de Spinoza (Letters to Hugo Boxel [1674], 1674?) | |
| A reaction: Spinoza offers this nicely expressed point to support his view that beauty is strictly relative to observers, but I am unconvinced. If the outline of the hand is its key aesthetic feature, the viewer through the microscope cannot see it. |
| 7540 | Beauty is a manifestation of secret natural laws [Goethe] |
| Full Idea: Beauty is a manifestation of secret natural laws which without this appearance would have remained eternally hidden from us. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 183) | |
| A reaction: An interesting defence of beauty as an objective feature of the world. I'm not sure. Much beauty is indeed the result of growth or erosion expressing underlying laws, but then I have always thought there was a sexual component to visual beauty. |
| 19578 | Only self-illuminated perfect individuals are beautiful [Novalis] |
| Full Idea: Everything beautiful is a self-illuminated, perfect individual. | |
| From: Novalis (Miscellaneous Observations [1798], 101) | |
| A reaction: It is a commonplace to describe something beautiful as being 'perfect'. Unfinished masterpieces are interesting exceptions. Are only 'individuals' beautiful? Is unity a necessary condition of beauty? Bad art fails to be self-illuminated. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 18326 | The beautiful never stands alone; it derives from man's pleasure in man [Nietzsche] |
| Full Idea: Anyone who tried to divorce the beautiful from man's pleasure in man would at once feel the ground give way beneath him. The 'beautiful in itself' is not even a concept, merely a phrase. | |
| From: Friedrich Nietzsche (Twilight of the Idols [1889], 8.19) | |
| A reaction: I love the insult 'not even a concept'! It's like Pauli's 'not even wrong'! |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| Full Idea: It is not what I call an aesthetic emotion that most of us feel, generally, for natural beauty. …Most people feel a very different kind of emotion for birds, flowers and butterfly wings from that we feel for pictures, pots, temples and statues. | |
| From: Clive Bell (Art [1913], I.I) | |
| A reaction: Not convinced. I think the main difference is our awareness that art is a human production, the result of choice, whereas nature is a given. Beethoven 9 and a good sunset don't seem to me far apart in our responses. |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| Full Idea: It is only when we cease to regard the objects in a landscape as means to anything that we can feel the landscape artistically. | |
| From: Clive Bell (Art [1913], II.I) | |
| A reaction: This sounds as if only the exploitative attitude blocks the artistic view, but I would expect the scientific view (of an ecologist, for example) to do the same. |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
| A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |