| 23951 | Emotion is a modification of bodily energy, controlling our actions [Spinoza] |
| Full Idea: By emotion [affectus] I understand the modification of energy of the body by which the power of action is aided or restrained. | |
| From: Baruch de Spinoza (The Ethics [1675]), quoted by Robert C. Solomon - The Passions 3.4 | |
| A reaction: [no ref given] Solomon gives this as the earliest version of the 'hydraulic' model of emotions, later found in Freud and Jung. Very unusual to give a wholly physical account of these psychic states. |
| 23950 | Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon] |
| Full Idea: Freud argued that the passions in general …were the pressures of a yet unknown 'quantity' (which he simply designated 'Q'). He first thought this flowed through neurones, …and always couched the idea in the language of hydraulics. | |
| From: report of Sigmund Freud (works [1900]) by Robert C. Solomon - The Passions 3.4 | |
| A reaction: This is the main target of Solomon's criticism, because its imagery has become so widespread. It leads to talk of suppressing emotions, or sublimating them. However, it is not too different from Nietzsche's 'drives' or 'will to power'. |
| 23981 | Rage is inconceivable without bodily responses; so there are no disembodied emotions [James] |
| Full Idea: Can one fancy a state of rage and picture no flushing of the face, no dilation of the nostrils, no clenching of the teeth, no impulse to vigorous action? …A purely disembodied human emotion is a nonentity. | |
| From: William James (What is an Emotion? [1884], p.194), quoted by Peter Goldie - The Emotions 3 'Bodily' | |
| A reaction: Plausible for rage, but less so for irritation or admiration. Goldie thinks James is wrong. James says if intellectual feelings don't become bodily then they don't qualify as emotions. No True Scotsman! |
| 24013 | An emotion and its object form a unity, so emotion is a mode of apprehension [Sartre] |
| Full Idea: Emotion returns to its object every moment, and feeds upon it. …The emotional subject and the object of the emotion are united in an indissoluble synthesis. Emotion is a specific manner of apprehending the world. …[39] It is a transformation of the world. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: The last sentence is the essence (or existence?) of Sartre's core theory of the emotions. They are, it seems, a mode of perception, like a colour filter added to a camera. I don't think I agree. I see them as a response to perceptions, not part of them. |
| 24017 | Emotion is one of our modes of understanding our Being-in-the-World [Sartre] |
| Full Idea: Emotion is not an accident, it is a mode of our conscious existence, one of the ways in which consciousness understands (in Heidegger's sense of verstehen) its Being-in-the-World. …It has a meaning. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: Calling emotions a 'mode' suggests that this way of understanding is intermittent, which seems wrong. Even performing arithmetical calculations is coloured by emotions, so they go deeper than a 'mode'. |
| 22235 | Feelings are not unchanging, but have a history (especially if they are noble) [Foucault] |
| Full Idea: We believe that feelings are immutable, but every sentiment, particularly the most noble and disinterested, has a history. | |
| From: Michel Foucault (Nietzsche, Genealogy, History [1971], p.86), quoted by Johanna Oksala - How to Read Foucault 5 | |
| A reaction: This is the sort of remark that makes me think Foucault is worth reading. Aristotle thought you could teach correct feelings. That implies that you can also teach incorrect feelings. |
| 23952 | I say bodily chemistry and its sensations have nothing to do with emotions [Solomon] |
| Full Idea: I shall be making the claim (sujectively) that the chemistry of the body and the sensations caused by that chemistry have nothing to do with the emotions. | |
| From: Robert C. Solomon (The Passions [1976], 4.1) | |
| A reaction: Surely an unexpected stabbing pain causes fear? Isn't pain supposed to trigger appropriate emotions? That is not to say that emotions are a feature of body chemistry. |
| 23954 | Emotions are judgements about ourselves, and our place in the world [Solomon] |
| Full Idea: An emotion is a basic judgement about our Selves and our place in the world, the projection of the values and ideals, structures and mythologies | |
| From: Robert C. Solomon (The Passions [1976], 5.3) | |
| A reaction: Solomon's main theory. What about the Frege-Geach problem - that I feel emotions (and judgements) about fictions and remote events, in which my personal concerns and involvement are zero? Presumably these emotions are parasitic on his primary type? |
| 23960 | Emotions are defined by their objects [Solomon] |
| Full Idea: Direction, scope and focus set the stage, but the specific object is what defines the emotion. | |
| From: Robert C. Solomon (The Passions [1976], 7.3) | |
| A reaction: This is presumably the main distinction between an emotion and a mood. He emphasises that the objects are subjective, rather than factual. |
| 23961 | The heart of an emotion is its judgement of values and morality [Solomon] |
| Full Idea: The heart of every emotion is its value judgements, its appraisals of gain and loss, its indictment of offences and its praise of virtue, its often Manichean judgement of 'good' and 'evil'. | |
| From: Robert C. Solomon (The Passions [1976], 7.6) | |
| A reaction: He adds blame and excuse. Some of our strongest emotions can just be identifications, rather than judgements, as when we learn of someone else's triumph or disaster. On the whole I agree, though. This is important for Aristotelian virtue theory. |
| 23965 | Emotions can be analysed under fifteen headings [Solomon] |
| Full Idea: Emotions can be analysed by direction, scope/focus, object, criteria, status, evaluations, responsibility, intersubjectivity, distance, mythology, desire, power, strategy. | |
| From: Robert C. Solomon (The Passions [1976], 8) | |
| A reaction: These are the headings Solomon actually applies in his breakdown of most of the main emotions. See his book for explanations of each of them. If people say philosophy makes no progress, I'd at least point to helpful thinking of this kind. |
| 2323 | Emotions have both intentionality and qualia [Kim] |
| Full Idea: It has been customary to distinguish between two broad categories of mental phenomena, the intentional and the phenomenal, without excluding those that have both (e.g. emotions). | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.101) | |
| A reaction: This has become the conventional modern account of the mind. It seems a little too simple to say that the mind is characterised by two clearcut phenomena like this. I suspect that his picture will be modified in time. |
| 4906 | Babies show highly emotional brain events, but may well be unaware of them [Carter,R] |
| Full Idea: Babies show emotion dramatically, but the areas of the brain that in adults are linked to the conscious experience of emotions are not active in newborn babies. Such emotions may therefore be unconscious. | |
| From: Rita Carter (Mapping the Mind [1998], p. 19) | |
| A reaction: Traditionally, 'unconscious emotion' is a contradiction, but I think we should accept this new evidence and rethink the nature of mind. Not only might emotion be non-conscious, but we should even consider that rational thinking could be too. |
| 23978 | 'Having an emotion' differs from 'being emotional' [Goldie] |
| Full Idea: There is a contrast in commonsense psychology between 'being emotional' and 'having an emotion'. | |
| From: Peter Goldie (The Emotions [2000], 2 'Conclusion') | |
| A reaction: Is this just that being emotional is displaying the existing emotion? Though we say someone is 'being emotional' when the emotion seems to take control of their actions. |
| 23973 | Unlike moods, emotions have specific objects, though the difference is a matter of degree [Goldie] |
| Full Idea: Emotions have more specific objects than moods. The difference is a matter of degree, so emotions don't necessarily have a specific object, and moods are not necessarily undirected towards an object, or lacking in intentionality. | |
| From: Peter Goldie (The Emotions [2000], 2 'Intentionality') | |
| A reaction: Could you simultaneously have an emotion and a mood which were in conflict, such as joy and misery (singing the blues), or love and hate ('odi et amo')? Could one transition into the other, as the object became clear, or faded away? |
| 23974 | Emotional intentionality as belief and desire misses out the necessity of feelings [Goldie] |
| Full Idea: Many philosophers who discuss the intentionality of the emotions seek to capture the intentionality of the emotions in terms of beliefs, or beliefs and desires. I think this is a mistake, and runs the risk of leaving feelings out of emotional experience. | |
| From: Peter Goldie (The Emotions [2000], 2 'Intentionality') | |
| A reaction: [He gives a list, which includes Kenny and Davidson] I would have thought that desires, at least, necessarily involve feelings, and neuroscientists seem to find emotions everywhere, including as part of belief. Be more holistic? |
| 23972 | A long lasting and evolving emotion is still seen as a single emotion, such as love [Goldie] |
| Full Idea: In narratives the different elements of an emotion are conceived of as all being part of the same emotion, in spite of its complex, episodic and dynamic features. Verbs expressing emotions don not use continuous tenses, such as 'he is being in love'. | |
| From: Peter Goldie (The Emotions [2000], 2 'What') | |
| A reaction: Goldie is keen on seeing emotions as part of a life narrative. An intriguing problem for the metaphysics of identity. If someone's love for a person comes and goes, is it the same love each time? |