Ideas of Richard Wollheim, by Theme

[British, b.1923, Studied at Oxford University. Professor at University College, London University.]

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8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art
Interpretation is performance for some arts, and critical for all arts
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful
21. Aesthetics / B. Nature of Art / 4. Art as Expression
It is claimed that the expressive properties of artworks are non-physical
Some say art must have verbalisable expression, and others say the opposite!
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The traditional view is that knowledge of its genre to essential to appreciating literature
Style can't be seen directly within a work, but appreciation needs a grasp of style
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The ideal theory says art is an intuition, shaped by a particular process, and presented in public
The ideal theory of art neglects both the audience and the medium employed
A musical performance has virtually the same features as the piece of music
If artworks are not physical objects, they are either ideal entities, or collections of phenomena
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to