display all the ideas for this combination of texts
3 ideas
19693 | There is practical wisdom (for action), and theoretical wisdom (for deep understanding) [Aristotle, by Whitcomb] |
Full Idea: Aristotle takes wisdom to come in two forms, the practical and the theoretical, the former of which is good judgement about how to act, and the latter of which is deep knowledge or understanding. | |
From: report of Aristotle (works [c.330 BCE]) by Dennis Whitcomb - Wisdom Intro | |
A reaction: The interesting question is then whether the two are connected. One might be thoroughly 'sensible' about action, without counting as 'wise', which seems to require a broader view of what is being done. Whitcomb endorses Aristotle on this idea. |
9291 | The dating, in 1614, of the Hermetic writings as post-Christian is the end of the Renaissance [Yates] |
Full Idea: The dating by Isaac Casaubon in 1614 of the Hermetic writings as not the work of a very ancient Egyptian priest but written in post-Christian times, is a watershed separating the Renaissance world from the modern world. | |
From: Frances A. Yates (Giordano Bruno and Hermetic Tradition [1964], Ch.21) | |
A reaction: I tend to place the end of the Renaissance with the arrival of the telescope in 1610, so the two dates coincide. Simply, magic was replaced by science. Religion ran alongside, gasping for breath. Mathematics was freed from numerology. |
9288 | The magic of Asclepius enters Renaissance thought mixed into Ficino's neo-platonism [Yates] |
Full Idea: The magic of Asclepius, reinterpreted through Plotinus, enters with Ficino's De Vita into the neo-platonic philosophy of the Renaissance, and, moreover, into Ficino's Christian Platonism. | |
From: Frances A. Yates (Giordano Bruno and Hermetic Tradition [1964], Ch.4) | |
A reaction: Asclepius is the source of 'Hermetic' philosophy. This move seems to be what gives the Renaissance period its rather quirky and distinctive character. Montaigne was not a typical figure. Most of them wanted to become gods and control the stars! |