display all the ideas for this combination of texts
4 ideas
224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
From: Plato (Parmenides [c.364 BCE], 135e) |
232 | Opposites are as unlike as possible [Plato] |
Full Idea: Opposites are as unlike as possible. | |
From: Plato (Parmenides [c.364 BCE], 159a) |
8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |
18405 | A 'teepee' argument has several mutually supporting planks to it [Cappelen/Dever] |
Full Idea: In a 'teepee' argument, a number of argumentative planks intersupport each other. No plank is sufficiently strong to establish the position, but each lends credibility to the others because there is the appearance of a unified phenomenon. | |
From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 01.5) | |
A reaction: To attack it, they say, you have to identify the separate planks of the argument. It is a moot point whether the teepee might be so imprecise that it is better described as 'coherence'. There is a background support, as well as the planks. |