display all the ideas for this combination of texts
4 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |
| 7933 | Don't assume that a thing has all the properties of its parts [Macdonald,C] |
| Full Idea: The fallacy of composition makes the erroneous assumption that every property of the things that constitute a thing is a property of the thing as well. But every large object is constituted by small parts, and every red object by colourless parts. | |
| From: Cynthia Macdonald (Varieties of Things [2005], Ch.5) | |
| A reaction: There are nice questions here like 'If you add lots of smallness together, why don't you get extreme smallness?' Colours always make bad examples in such cases (see Idea 5456). Distinctions are needed here (e.g. Idea 7007). |