display all the ideas for this combination of texts
4 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 4642 | No fact can be real and no proposition true unless there is a Sufficient Reason (even if we can't know it) [Leibniz] |
| Full Idea: The principle of sufficient reason says no fact can be real or existing and no proposition can be true unless there is a sufficient reason why it should be thus and not otherwise, even though in most cases these reasons cannot be known to us. | |
| From: Gottfried Leibniz (Monadology [1716], §32) | |
| A reaction: I think of this as my earliest philosophical perception, a childish rebellion against being told that there was 'no reason' for something. My intuition tells me that it is correct, and the foundation of ontology and truth. Don't ask me to justify it! |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |