display all the ideas for this combination of texts
4 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 9123 | Someone standing in a doorway seems to be both in and not-in the room [Priest,G, by Sorensen] |
| Full Idea: Priest says there is room for contradictions. He gives the example of someone in a doorway; is he in or out of the room. Given that in and out are mutually exclusive and exhaustive, and neither is the default, he seems to be both in and not in. | |
| From: report of Graham Priest (What is so bad about Contradictions? [1998]) by Roy Sorensen - Vagueness and Contradiction 4.3 | |
| A reaction: Priest is a clever lad, but I don't think I can go with this. It just seems to be an equivocation on the word 'in' when applied to rooms. First tell me the criteria for being 'in' a room. What is the proposition expressed in 'he is in the room'? |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |