display all the ideas for this combination of texts
5 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 7038 | A theory with few fundamental principles might still posit a lot of entities [Heil] |
| Full Idea: It could well turn out that a simpler theory - a theory with fewer fundamental principles - posits more entities than a more complex competitor. | |
| From: John Heil (From an Ontological Point of View [2003], 13.6) | |
| A reaction: See also Idea 4036. The point here is that you can't simply translate Ockham as 'keep it simple', as there are different types of simplicity. The best theory will negotiate a balance between entities and principles. |
| 7037 | Parsimony does not imply the world is simple, but that our theories should try to be [Heil] |
| Full Idea: A commitment to parsimony is not a commitment to a conception of the world as simple. The idea, rather, is that we should not complicate our theories about the world unnecessarily. | |
| From: John Heil (From an Ontological Point of View [2003], 13.6) | |
| A reaction: In other words, Ockham's Razor is about us, not about the world. It would be absurd to make the a priori assumption that the world has to be simple. Are we, though, creating bad theories by insisting that they should be simple? |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |