display all the ideas for this combination of texts
4 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 7083 | Highest reason is aesthetic, and truth and good are subordinate to beauty [Hegel] |
| Full Idea: I am now convinced that the highest act of reason, which embraces all ideas, is an aesthetic act, and that truth and goodness are brothers only in beauty. | |
| From: Georg W.F.Hegel (Oldest System Prog. of German Idealism [1796]), quoted by Simon Critchley - Continental Philosophy - V. Short Intro Append | |
| A reaction: This seems to be the distinctive value framework of the romantic movement and the nineteenth century, where art is destined to replace religion. However, Plato in the Symposium is an interesting ally. Aim for beauty, and the rest follows? |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |