display all the ideas for this combination of texts
5 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 6558 | A foolish consistency is the hobgoblin of little minds [Emerson] |
| Full Idea: A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. | |
| From: Ralph Waldo Emerson (Self-Reliance [1841], p.37) | |
| A reaction: A remark to warm the hearts of pragmatists, Wittgensteinians, Nietzscheans and the post-modern mob. But pay careful attention to the word "foolish". Robert Fogelin gives a very balanced view of the matter (e.g. Idea 6557). |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 4036 | What matters is not how many entities we postulate, but how many kinds of entities [Armstrong, by Mellor/Oliver] |
| Full Idea: Armstrong argues that what matters is not how few entities we postulate (quantitative economy), but how few kinds of entities (qualitative economy). | |
| From: report of David M. Armstrong (Properties [1992]) by DH Mellor / A Oliver - Introduction to 'Properties' §9 | |
| A reaction: Is this what Ockham meant? Armstrong is claiming that the notion of a 'property' is needed to identify kinds. See also Idea 7038. |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |