Combining Texts

Ideas for 'Parmenides', 'The Sceptical Chemist' and 'Real Essence'

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4 ideas

2. Reason / A. Nature of Reason / 1. On Reason
When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato]
     Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect.
     From: Plato (Parmenides [c.364 BCE], 135e)
2. Reason / B. Laws of Thought / 5. Opposites
Opposites are as unlike as possible [Plato]
     Full Idea: Opposites are as unlike as possible.
     From: Plato (Parmenides [c.364 BCE], 159a)
2. Reason / C. Styles of Reason / 1. Dialectic
Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato]
     Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic.
     From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71
     A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light.
2. Reason / D. Definition / 4. Real Definition
'Nominal' definitions identify things, but fail to give their essence [Jones,J-E]
     Full Idea: In the Aristotelian tradition, a 'nominal' definition is a pseudo-definition that identifies the members of the species or genus, but fails to capture the essence, e.g. 'man is the featherless biped'.
     From: Jan-Erik Jones (Real Essence [2012], §2)
     A reaction: You can 'individuate' an object as 'the only object in that drawer', while revealing nothing about it. So what must a definition do, in addition to picking something out uniquely?