display all the ideas for this combination of texts
13 ideas
| 224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
| Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect. | |
| From: Plato (Parmenides [c.364 BCE], 135e) |
| 1571 | 'Logos' ranges from thought/reasoning, to words, to rational structures outside thought [Roochnik] |
| Full Idea: Logos can mean i) a thought or reasoning, ii) the word which expresses a thought, iii) a rational structure outside human thought. These meanings give 'logos' an extraordinary range. | |
| From: David Roochnik (The Tragedy of Reason [1990], Intro. 12) |
| 1572 | In the seventeenth century the only acceptable form of logos was technical knowledge [Roochnik] |
| Full Idea: In the seventeenth century only a certain type of logos was deemed legitimate, namely that identified with technical knowledge (or 'techné'). | |
| From: David Roochnik (The Tragedy of Reason [1990], Intro. 15) |
| 1573 | The hallmark of a person with logos is that they give reasons why one opinion is superior to another [Roochnik] |
| Full Idea: What is supposed to identify the person of logos from the one without is the commitment to giving reasons explaining why one opinion is superior to another. | |
| From: David Roochnik (The Tragedy of Reason [1990], Intro. 17) |
| 1592 | Logos cannot refute the relativist, and so must admit that it too is a matter of desire (for truth and agreement) [Roochnik] |
| Full Idea: Logos cannot refute the radical, consistent and self-conscious relativist. Therefore it must admit that, like the relativist, it itself is essentially a matter of desire. It wants to say what is right and wrong, true and false, and for others to agree. | |
| From: David Roochnik (The Tragedy of Reason [1990], p.108) |
| 1593 | Human desire has an ordered structure, with logos at the pinnacle [Roochnik] |
| Full Idea: Human desire has an ordered structure, with logos at the pinnacle. | |
| From: David Roochnik (The Tragedy of Reason [1990], p.109) |
| 1603 | Logos is not unconditionally good, but good if there is another person willing to engage with it [Roochnik] |
| Full Idea: Logos is not unconditionally good, but good contingent on there being some other person (out there) who is willing to talk with logos, to approach it even as an opponent. | |
| From: David Roochnik (The Tragedy of Reason [1990], p.175) |
| 1598 | We prefer reason or poetry according to whether basics are intelligible or not [Roochnik] |
| Full Idea: Is the arché (basis) intelligible, or is it chaos? Upon this question hinges all, for answering it determines whether poetry or logos is the form of human speech that best does justice to the world. | |
| From: David Roochnik (The Tragedy of Reason [1990], p.139) |
| 1584 | Modern science, by aiming for clarity about the external world, has abandoned rationality in the human world [Roochnik] |
| Full Idea: The modern scientific world view, with all its hope for clarity and precision, has a flipside, …which is its abandonment of rationality in the world of human significance. | |
| From: David Roochnik (The Tragedy of Reason [1990], p.74) |
| 1591 | Unfortunately for reason, argument can't be used to establish the value of argument [Roochnik] |
| Full Idea: Unfortunately for the logos there is no argument that can, without begging the question, establish the goodness of argumentation. | |
| From: David Roochnik (The Tragedy of Reason [1990], p.106) |
| 1599 | Attempts to suspend all presuppositions are hopeless, because a common ground must be agreed for the process [Roochnik] |
| Full Idea: To debate about suspending all our presuppositions requires a common ground which, upon being established, immediately renders the debate superfluous. | |
| From: David Roochnik (The Tragedy of Reason [1990], p.144) |
| 232 | Opposites are as unlike as possible [Plato] |
| Full Idea: Opposites are as unlike as possible. | |
| From: Plato (Parmenides [c.364 BCE], 159a) |
| 8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
| Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic. | |
| From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71 | |
| A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light. |